Márgenes del lenguaje y ontologías disidentes en los Textos de Sombra de Alejandra Pizarnik

The entire poetic work of Alejandra Pizarnik (1936-1972) can be considered as a complex attempt to reflect on the ways and spaces of marginality and exclusion, in her successive formulations of a subject marked by the impossibility of belonging, of a self that perceives and verbalizes, often in contradictory ways, its fragmentation and its foreignness with respect to its vital environment. From this premise, this text proposes a reading of the last phase of Pizarnik’s production, located between 1968 and 1972, with the aim of tracing the proposals that mark this literary stage of the author and that, based on new connotations of the poetic self, suspended between humanity and animality, will lead to a literary discourse now intended as a plural and common space.