“Non c’è paesaggio che non si popoli di un viso amato o sognato, che non sviluppi un viso a venire o già passato”

Aware that when we look at a landscape we establish a dialogue with the evocative objects that populate it, recognizing and resituating them, we connect perception, memory, and affections. Today the disparity of the memories of the recent past between those who relive them through photographs and those who contemplate them or replan them through other "voices", explains the different preferences that can be given to different places but which anyway merge into the more or less consensual creation of a 'shared image of the city and of the area, even if the economic and functional needs are always hiding.