The article focusses on Hamlet's theoretical performative issues in the Shakespearean text and applies the reflections to Branagh's filmic adaptation.

Performing through forms in Shakespeare's and Branagh's Hamlet

Sidia Fiorato
2017-01-01

Abstract

The article focusses on Hamlet's theoretical performative issues in the Shakespearean text and applies the reflections to Branagh's filmic adaptation.
2017
Performance
Theatre
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11562/969782
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