Looking at Les Œuvres Complètes de Sally Mara as a base for an investigation about the concept of history and its space, we can formulate a ‘non-real’ “model of irish history”. The irish word form will be investigated in the works of Queneau, showing the language used by the author, though it may seen as mockery of the language, is a play on the words and sounds of the irish language. The fiction d’innocence is used by scriptor as a base for his work, as a mean to meet the book’s objectives without ambiguity.
"Alcune osservazioni su un modello di storia irlandese nelle Œuvres complètes de Sally Mara di Raymond Queneau"
Benedettini, Riccardo
2011-01-01
Abstract
Looking at Les Œuvres Complètes de Sally Mara as a base for an investigation about the concept of history and its space, we can formulate a ‘non-real’ “model of irish history”. The irish word form will be investigated in the works of Queneau, showing the language used by the author, though it may seen as mockery of the language, is a play on the words and sounds of the irish language. The fiction d’innocence is used by scriptor as a base for his work, as a mean to meet the book’s objectives without ambiguity.
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