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EnglishThe article investigates the relationship between tragedy and the hymenaios, the lyrical wedding-song. After the identifying the distinctive features of the lyric genre as it was understood in the archaic and classical period, the essay explores the reworking of this extra-dramatic choral form in Euripides’ tragedy. An analysis of Euripidean passages referring to hymenaios from a thematic, linguistic and performative point of view highlights the intentional alteration of the traditional features of the wedding-song in tragedy, according to the specific role allotted to its ritual performance in the context of the dramatic plot.
| Titolo: | Il ruolo dei canti di nozze nei drammi di Euripide | |
| Autori: | ||
| Data di pubblicazione: | 2011 | |
| Rivista: | ||
| Abstract: | The article investigates the relationship between tragedy and the hymenaios, the lyrical wedding-song. After the identifying the distinctive features of the lyric genre as it was understood in the archaic and classical period, the essay explores the reworking of this extra-dramatic choral form in Euripides’ tragedy. An analysis of Euripidean passages referring to hymenaios from a thematic, linguistic and performative point of view highlights the intentional alteration of the traditional features of the wedding-song in tragedy, according to the specific role allotted to its ritual performance in the context of the dramatic plot. | |
| Handle: | http://hdl.handle.net/11562/509563 | |
| Appare nelle tipologie: | 01.01 Articolo in Rivista |
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