Peter Ackroyd's Dan Leno and the Limehouse Golem (1994) highlights juridical issues such as the normative function of law and the punishment of crime, and intertwines them with the emergence of the unconscious of the law itself as well as the individual. This aspect is analyzed in particular through the concept of the performance of individual identity
Titolo: | Theatrical Role Playing, Crime and Punishment in Peter Ackroyd's Dan Leno and the Limehouse Golem |
Autori: | |
Data di pubblicazione: | 2012 |
Rivista: | |
Abstract: | Peter Ackroyd's Dan Leno and the Limehouse Golem (1994) highlights juridical issues such as the normative function of law and the punishment of crime, and intertwines them with the emergence of the unconscious of the law itself as well as the individual. This aspect is analyzed in particular through the concept of the performance of individual identity |
Handle: | http://hdl.handle.net/11562/430153 |
Appare nelle tipologie: | 01.01 Articolo in Rivista |
File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.