A critical discussion of a selection of writings by different commentators (Ia. Neverov, V. Odoevskii, A. Rubinshtein, A. Serov, V. Stasov, V. Karatygin, L. Sabaneev, B. Asaf’ev, V. Belyi, L. Kulakovskii, A. Zhdanov, L. Mazel’, N. Briusova, L. Knipper, I. Nest’ev) issued between the 1830s and the 1950s, on the theme of music in Russia in connection with issues of modernity, artistic adequacy and excellence, originality and imitation, and national identity of (imperial and Soviet) Russia as mirrored by art music in its relatioship with folkmusic.

Musica e musica nazionale nella Russia imperiale e sovietica: introduzione

GIUST A
2025-01-01

Abstract

A critical discussion of a selection of writings by different commentators (Ia. Neverov, V. Odoevskii, A. Rubinshtein, A. Serov, V. Stasov, V. Karatygin, L. Sabaneev, B. Asaf’ev, V. Belyi, L. Kulakovskii, A. Zhdanov, L. Mazel’, N. Briusova, L. Knipper, I. Nest’ev) issued between the 1830s and the 1950s, on the theme of music in Russia in connection with issues of modernity, artistic adequacy and excellence, originality and imitation, and national identity of (imperial and Soviet) Russia as mirrored by art music in its relatioship with folkmusic.
2025
Russian Music, Music Proficiency, Music and Power, Folksong and Art Music, Nationality, Imitation, Originality
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11562/1183390
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