This paper presents the mise en espace of an anti‐dramaliturgy written for the Conference “Salute e Benessere delle Persone Transgender e Gender Diverse: Buone Prassi e Nuove Prospettive [Wellbeing of Transgender and Gender Diverse People: Good Practices and New Perspectives]”. By providing an example of conferencing differently, the paper depicts an elliptical (round)table that questions normative assumptions on gender and sexuality and established practices of academic knowledge production and dissemination. It does so, along the edge of antibinarism, in three ways. Firstly, there is the choice of an elliptical (round)table that is polycentric: it broadens the point of view from the margins. Secondly, our writing sought to favor embodied questioning and dialog over the structured speech report typical of conferences, and the third way is inherent to the genre of theatrical writing related to the mise en espace format, which enables us to ask questions about the relationship between our bodies, broader materiality, and the dominant norms of academic and gendered practices. The intertwining of these elements makes our queering the AcademicConferenceMachine, which is an invitation to recognize the political performativity and imaginative possibilities of any (academic) encounter.
Nomads, thresholds, and leaves: Queer entanglements within the AcademicConferenceMachine
Daniela Pianezzi;
2024-01-01
Abstract
This paper presents the mise en espace of an anti‐dramaliturgy written for the Conference “Salute e Benessere delle Persone Transgender e Gender Diverse: Buone Prassi e Nuove Prospettive [Wellbeing of Transgender and Gender Diverse People: Good Practices and New Perspectives]”. By providing an example of conferencing differently, the paper depicts an elliptical (round)table that questions normative assumptions on gender and sexuality and established practices of academic knowledge production and dissemination. It does so, along the edge of antibinarism, in three ways. Firstly, there is the choice of an elliptical (round)table that is polycentric: it broadens the point of view from the margins. Secondly, our writing sought to favor embodied questioning and dialog over the structured speech report typical of conferences, and the third way is inherent to the genre of theatrical writing related to the mise en espace format, which enables us to ask questions about the relationship between our bodies, broader materiality, and the dominant norms of academic and gendered practices. The intertwining of these elements makes our queering the AcademicConferenceMachine, which is an invitation to recognize the political performativity and imaginative possibilities of any (academic) encounter.File | Dimensione | Formato | |
---|---|---|---|
2024. Gender Work Organization - 2024 - Benozzo - Nomads thresholds and leaves Queer entanglements within the.pdf
solo utenti autorizzati
Licenza:
Accesso ristretto
Dimensione
1.09 MB
Formato
Adobe PDF
|
1.09 MB | Adobe PDF | Visualizza/Apri Richiedi una copia |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.