Starting with the monochrome film Blue by British director Derek Jarman, the essay explores the implications of a vision that has as its object an always identical field of colour. In particular, the transformation of the function of the spectator and the dimension of existence and dying as unrepresentable are highlighted.
Iconoclastie. Il blu di Derek Jarman
Solla, Gianluca
2023-01-01
Abstract
Starting with the monochrome film Blue by British director Derek Jarman, the essay explores the implications of a vision that has as its object an always identical field of colour. In particular, the transformation of the function of the spectator and the dimension of existence and dying as unrepresentable are highlighted.
File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
