This essay intends to analyze the belonging of the figure of the Tramp/Charlot to the dimension of the destituent power starting from the reference to some of the very first films in which his mask appears. It is about questioning cinema as a form of historical witness. In particular, the essay emphasizes the value of contingency and accidentality for a theory of cinema understood as a “theory of the accident"
Disertare tutti i nomi. L’ipotesi-Charlot
Solla
2023-01-01
Abstract
This essay intends to analyze the belonging of the figure of the Tramp/Charlot to the dimension of the destituent power starting from the reference to some of the very first films in which his mask appears. It is about questioning cinema as a form of historical witness. In particular, the essay emphasizes the value of contingency and accidentality for a theory of cinema understood as a “theory of the accident"
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