The essay reconsiders in the light of the crucial problem of translation the so-called controversy on the ‘present taste’, in which, starting from 1781, Matteo Borsa, Ippolito Pindemonte, Francesco Maria Colle, Clemente Sibiliato, Melchiorre Cesarotti, Saverio Bettinelli and others participated in varying degrees: a significant moment in the process of defining Italian cultural identity and of elaborating new critical and aesthetic ideas in an era of transition, particularly for the development of neoclassicism
L’invention des identités culturelles italienne et étrangère dans la querelle sur le «goût présent» (1780-1786)
CORRADO VIOLA
2023-01-01
Abstract
The essay reconsiders in the light of the crucial problem of translation the so-called controversy on the ‘present taste’, in which, starting from 1781, Matteo Borsa, Ippolito Pindemonte, Francesco Maria Colle, Clemente Sibiliato, Melchiorre Cesarotti, Saverio Bettinelli and others participated in varying degrees: a significant moment in the process of defining Italian cultural identity and of elaborating new critical and aesthetic ideas in an era of transition, particularly for the development of neoclassicism
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