The fame of Caroto has been remarkably enhanced by the recent exhibition in Verona, which has also provided a favourable framework to study the painter’s relationship with antiquity, an aspect never analysed so far. This article addresses the theme for the first time, pointing out some of the cases that prove the artist’s interests in this field.
Introduzione a Giovan Francesco Caroto e l’antico
Alessandra Zamperini
2022-01-01
Abstract
The fame of Caroto has been remarkably enhanced by the recent exhibition in Verona, which has also provided a favourable framework to study the painter’s relationship with antiquity, an aspect never analysed so far. This article addresses the theme for the first time, pointing out some of the cases that prove the artist’s interests in this field.
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