Starting from the main characteristics that define the motif of the enchanted ship in the Spanish Romances of Chivalry, its variations within an extensive corpus of chivalric texts are studied. Specifically, the representation of the enchanted vehicle in the foundational works of the genre is described, identifying in the craft of the Serpent of Urganda the model for the animalized ships and floating buildings later used by other authors. Finally, the Foucauldian definition of heterotopy is used to explain the configuration of the enchanted ship as a space for the marvellous adventure

La nave como heterotopía en los libros de caballerías

stefano bazzaco
2022-01-01

Abstract

Starting from the main characteristics that define the motif of the enchanted ship in the Spanish Romances of Chivalry, its variations within an extensive corpus of chivalric texts are studied. Specifically, the representation of the enchanted vehicle in the foundational works of the genre is described, identifying in the craft of the Serpent of Urganda the model for the animalized ships and floating buildings later used by other authors. Finally, the Foucauldian definition of heterotopy is used to explain the configuration of the enchanted ship as a space for the marvellous adventure
2022
Spanish Romances of Chivalry, heterotopy, enchanted boat, Amadís de Gaula, Leandro el Bel
Libros de caballerías, heterotopía, barco encantado, Amadís de Gaula, Leandro el Bel
A partir de las principales características que definen el motivo del barco encantado en los libros de caballerías, se estudian las variaciones del mismo dentro de un extenso corpus de textos caballerescos. En concreto, se describe la representación del medio de transporte encantado en las obras fundacionales del género, individuando en la fusta de la Serpiente de Urganda el modelo para las naves animalizadas y edificios flotantes que emplean posteriormente otros autores. Se aprovecha finalmente la definición foucaultiana de heterotopía para explicar la configuración de la nave encantada como espacio de la aventura maravillosa
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11562/1088447
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