The article collects the results of the non-invasive investigations carried out on the painting by Albrecht Dürer in the context of the MOLAB, Mobile Laboratory of the CHARISMA project. Through the integration of multispectral infrared reflectography and punctual investigations, it was possible to clarify numerous aspects relating to the execution technique and the conservative history of the work. The results obtained offer a significant contribution in view of the restoration project that was set up by the Prague museum.
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