Does a fantastic form in exist in experimental theatre? This essay starts from the Freudian concept of Das Unheimliche to analyze the latest considerations suggested by literary critics. The argument derives from a multidisciplinary perspective including not only theatrical studies but also aesthetic ones and psychoanalytical research on the uncanny, aiming to build a critical base that will be a useful landmark for some preliminary considerations about Italian contemporary experimental theatre.

Performare il perturbante. Una proposta di definizione del fantastico teatrale contemporaneo a partire dall'Unheimlich di Freud

Monica Cristini
2014-01-01

Abstract

Does a fantastic form in exist in experimental theatre? This essay starts from the Freudian concept of Das Unheimliche to analyze the latest considerations suggested by literary critics. The argument derives from a multidisciplinary perspective including not only theatrical studies but also aesthetic ones and psychoanalytical research on the uncanny, aiming to build a critical base that will be a useful landmark for some preliminary considerations about Italian contemporary experimental theatre.
perturbante, fantastico, teatro
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11562/1066488
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact