Does a fantastic form in exist in experimental theatre? This essay starts from the Freudian concept of Das Unheimliche to analyze the latest considerations suggested by literary critics. The argument derives from a multidisciplinary perspective including not only theatrical studies but also aesthetic ones and psychoanalytical research on the uncanny, aiming to build a critical base that will be a useful landmark for some preliminary considerations about Italian contemporary experimental theatre.
Performare il perturbante. Una proposta di definizione del fantastico teatrale contemporaneo a partire dall'Unheimlich di Freud
Monica Cristini
2014-01-01
Abstract
Does a fantastic form in exist in experimental theatre? This essay starts from the Freudian concept of Das Unheimliche to analyze the latest considerations suggested by literary critics. The argument derives from a multidisciplinary perspective including not only theatrical studies but also aesthetic ones and psychoanalytical research on the uncanny, aiming to build a critical base that will be a useful landmark for some preliminary considerations about Italian contemporary experimental theatre.
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