The present paper examines the features of Bettinelli’s poetry in blank verse. Through the free hendecasyllable, indeed, Bettinelli aimed at becoming the promoter of a new poetic vogue. Between overtures to the new and loyalty to the classics, the argumentative typology of the free verse is regarded not only as the vehicle for philosophical and scientific content, which restores important civil function to poetic expression, but also to the Beautiful, as a guarantee of stylistic redemption unlike rhymed poetry.
"Né epistole né poemi" : la terza via di Bettinelli poeta
Salvade'
2019-01-01
Abstract
The present paper examines the features of Bettinelli’s poetry in blank verse. Through the free hendecasyllable, indeed, Bettinelli aimed at becoming the promoter of a new poetic vogue. Between overtures to the new and loyalty to the classics, the argumentative typology of the free verse is regarded not only as the vehicle for philosophical and scientific content, which restores important civil function to poetic expression, but also to the Beautiful, as a guarantee of stylistic redemption unlike rhymed poetry.
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