The article presents a review of an important collection of essays on the relationship between architecture and performance as it has been developing during a series of recent interdisciplinary practical experiments and theoretical studies. The brief analyses of each individual essay are preceded by a theoretical contextualization, which is focussed on the abandonment of an external collaboration between these two disciplines, normally confined within the dyad container (space) – contained (action), in favour of a more fertile and intrinsic synergy. This idea of the intersection between the performative quality of architecture and the spatial design of performance is the nucleus of the whole book

Andrew Filmer and Juliet Rufford, eds, Performing Architectures: Projects, Practices, Pedagogies, London and New York:Methuen, 2018,

nicola pasqualicchio
2020-01-01

Abstract

The article presents a review of an important collection of essays on the relationship between architecture and performance as it has been developing during a series of recent interdisciplinary practical experiments and theoretical studies. The brief analyses of each individual essay are preceded by a theoretical contextualization, which is focussed on the abandonment of an external collaboration between these two disciplines, normally confined within the dyad container (space) – contained (action), in favour of a more fertile and intrinsic synergy. This idea of the intersection between the performative quality of architecture and the spatial design of performance is the nucleus of the whole book
2020
architecture; performance; space; interdisciplinarity
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11562/1033516
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