The present article examines the maritime journey theme in Spanish Romances of Chivalry, allowing a special attention to some specific chivalric episodes linked to the topic of the enchanted boat. Starting from the study of some scenes of boats without a oarsman founded in the Zifar and Amadís of Gaul, the study will deal with four different episodes taken from the Leandro el Bel (Toledo, 1563), second part of the famous cycle of the Knight of the Cross and will put the accent on the huge narratives possibilities experimented by the authors that wrote during a mature period of the chivalric genre.

De barcos sin remadores y castillos navegantes. Los desplazamientos marítimos en los libros de caballerías: Zifar, Amadís, Leandro el bel

Bazzaco Stefano
2018-01-01

Abstract

The present article examines the maritime journey theme in Spanish Romances of Chivalry, allowing a special attention to some specific chivalric episodes linked to the topic of the enchanted boat. Starting from the study of some scenes of boats without a oarsman founded in the Zifar and Amadís of Gaul, the study will deal with four different episodes taken from the Leandro el Bel (Toledo, 1563), second part of the famous cycle of the Knight of the Cross and will put the accent on the huge narratives possibilities experimented by the authors that wrote during a mature period of the chivalric genre.
2018
978-84-17107-77-2
enchanted boat, Leandro el Bel, Knight of the Cross, Zifar, Amadís
barco encantado, Leandro el Bel, Caballero de la Cruz, Zifar, Amadís
El presente estudio indaga los desplazamientos marítimos en los libros de caballerías, concediéndole especial atención a algunos episodios caballerescos relacionados con el tópico del barco encantado. A partir del estudio de unas ocurrencias de barcos sin remadores que se encuentran en el Zifar y en el Amadís, se pasará pues al análisis de cuatro distintos episodios del Leandro el Bel (Toledo, 1563), segunda parte del famoso ciclo del Caballero de la Cruz y se pondrá el acento sobre las inmensas posibilidades narrativas experimentadas por los autores operantes en una fase madura del género caballeresco.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11562/995042
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