La ricezione della Nascita della tragedia di Nietzsche nella cultura italiana tra fine ottocento e inizio novecento

Positively reviewed by Angelo de Gubernatis on «la rivista europea» (april 1872), Nietzsche’s the Birth of tragedy met mixed fortunes in late nineteenth ‒ and early twentieth-century italian culture. While it was generally well received by scholars of philosophy and music, even inspiring the work of Gabriele d’Dannunzio (whose knowledge of it was nevertheless second hand), Nietzsche’s text had a fairly modest, if nonexistent impact on philological studies