abstract: The Dialoghi by the Neapolitan musician Massimo Troiano, which narrate in detail the festivities organised for William V of Bavaria’s wedding the wedding of William V of Bavaria with Renata of Lorraine, are part of the system of informative, political and cultural dynamics of the House of Munich. The article focuses on some differences between the German edition of 1568 and the Venetian edition of the following year, including the presence of the parallel text in Spanish translation and two other dialogues, printed only in Italian, useful for learning the Spanish language. Among the novelties of the Venetian edition is the presence of the companies that were carried in the jousts held for the nuptial festivities and which transform, once again, the laudatio urbis of the Bavarian city into a laudatio of the author himself. keywords: Massimo Troiano; Dialogues; Traduction; Self-Citation.

Un músico napolitano en la corte bávara: Los Dialoghi de Massimo Troiano

Gambin felice
2026-01-01

Abstract

abstract: The Dialoghi by the Neapolitan musician Massimo Troiano, which narrate in detail the festivities organised for William V of Bavaria’s wedding the wedding of William V of Bavaria with Renata of Lorraine, are part of the system of informative, political and cultural dynamics of the House of Munich. The article focuses on some differences between the German edition of 1568 and the Venetian edition of the following year, including the presence of the parallel text in Spanish translation and two other dialogues, printed only in Italian, useful for learning the Spanish language. Among the novelties of the Venetian edition is the presence of the companies that were carried in the jousts held for the nuptial festivities and which transform, once again, the laudatio urbis of the Bavarian city into a laudatio of the author himself. keywords: Massimo Troiano; Dialogues; Traduction; Self-Citation.
2026
9788412539158
Massimo Troiano; Diálogos; Traducción; Autocita.
Los Dialoghi del músico napolitano Massimo Troiano, que narran de forma detallada los festejos organizados con motivo de las bodas de Guillermo V de Baviera con Renata de Lorena, se inscriben en el sistema de las dinámicas informativas, políticas y culturales de la casa de Múnich. El trabajo estudia algunas diferencias entre la edición alemana de 1568 y la veneciana del año siguiente, entre ellas la presencia del texto paralelo en traducción española y otros dos diálogos, impresos solo en italiano, útiles para aprender la lengua castellana. Entre las novedades de la edición veneciana cabe señalar la presencia de las empresas que fueron llevadas en las justas celebradas con ocasión de los fastos nupciales y que transforman, una vez más, la laudatio urbis de la ciudad bávara en una laudatio del mismo autor.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11562/1203647
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