The contribution analyses the annotations made by different agents in the illustrations of manuscript Cgm 51 of Gottfried's Tristan and how they are useful in defining the context of the manuscript's production and reception. Indeed, the annotations testify how the poetic and visual text was understood and how, over the course of three centuries, users of the document intervened, layering collaborative commentary on it
Il Tristan di Monaco: editare, illustrare e chiosare il testo incompiuto
Cipolla Maria Adele
2024-01-01
Abstract
The contribution analyses the annotations made by different agents in the illustrations of manuscript Cgm 51 of Gottfried's Tristan and how they are useful in defining the context of the manuscript's production and reception. Indeed, the annotations testify how the poetic and visual text was understood and how, over the course of three centuries, users of the document intervened, layering collaborative commentary on it
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