The essay talks about the third journey of Peter Brook and C.I.R.T. in the U.S., focusing on the meetings with American companies, moreover on the culture sharing between the Peter Brook's company and El Teatro Campesino of Louis Valdez (Mexican-American) and the Native American Theatre Ensemble of La MaMa (New York). Also, some insights are dedicated to the meeting with the Afro-American culture in the experimentation with people and children in Brooklyn and Lower East Side, NYC.

The third journey: Peter Brook and the meeting with the American cultures

Monica Cristini
2024-01-01

Abstract

The essay talks about the third journey of Peter Brook and C.I.R.T. in the U.S., focusing on the meetings with American companies, moreover on the culture sharing between the Peter Brook's company and El Teatro Campesino of Louis Valdez (Mexican-American) and the Native American Theatre Ensemble of La MaMa (New York). Also, some insights are dedicated to the meeting with the Afro-American culture in the experimentation with people and children in Brooklyn and Lower East Side, NYC.
2024
9791256090174
Peter Brook, theatre, culture sharing, United States, actor training, research
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11562/1132948
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