The essay talks about the third journey of Peter Brook and C.I.R.T. in the U.S., focusing on the meetings with American companies, moreover on the culture sharing between the Peter Brook's company and El Teatro Campesino of Louis Valdez (Mexican-American) and the Native American Theatre Ensemble of La MaMa (New York). Also, some insights are dedicated to the meeting with the Afro-American culture in the experimentation with people and children in Brooklyn and Lower East Side, NYC.

The third journey: Peter Brook and the meeting with the American cultures

Monica Cristini
2024-01-01

Abstract

The essay talks about the third journey of Peter Brook and C.I.R.T. in the U.S., focusing on the meetings with American companies, moreover on the culture sharing between the Peter Brook's company and El Teatro Campesino of Louis Valdez (Mexican-American) and the Native American Theatre Ensemble of La MaMa (New York). Also, some insights are dedicated to the meeting with the Afro-American culture in the experimentation with people and children in Brooklyn and Lower East Side, NYC.
2024
9791256090174
Peter Brook, theatre, culture sharing, United States, actor training, research
File in questo prodotto:
File Dimensione Formato  
NT_estratto_Cristini.pdf

solo utenti autorizzati

Tipologia: Versione dell'editore
Licenza: Copyright dell'editore
Dimensione 9.15 MB
Formato Adobe PDF
9.15 MB Adobe PDF   Visualizza/Apri   Richiedi una copia

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11562/1132948
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact