Stramilano (SuperMilan), Impressioni di vita n.1 (Impressions of life n. 1): Ritmi di stazione e (Rhythms of a Railway Station) and Rivista Luce (Luce Magazine) n. 2: Music – La Gazza Ladra (The Thieving Magpie) are three short movies signed by Corrado D’Errico between 1929 and 1934. A multifaceted author, D’Errico (1902-1941) is deeply connected to the aesthetic theories of futurism and at the same time is measured with the coeval experimental and international film production.
Rhythms of Visions. Three experimental films by Corrado D’Errico, in New Paths on Italian Experimental Moving Image
LOTTI DENIS;
In corso di stampa
Abstract
Stramilano (SuperMilan), Impressioni di vita n.1 (Impressions of life n. 1): Ritmi di stazione e (Rhythms of a Railway Station) and Rivista Luce (Luce Magazine) n. 2: Music – La Gazza Ladra (The Thieving Magpie) are three short movies signed by Corrado D’Errico between 1929 and 1934. A multifaceted author, D’Errico (1902-1941) is deeply connected to the aesthetic theories of futurism and at the same time is measured with the coeval experimental and international film production.
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