The paper analyses two lyric fragments of Sophocles’ lost play ‘Tereus’ (frr. 592-3 R.). The main body of the paper argues that lines 4-6 of fr. 592 R. should be printed together with fr. 593 R. as a continuous text. The paper also focuses on the identity of the persona canens and the problematic issue of the fragments’ placement within the plot of the ‘Tereus’.
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