The article seeks to profile a cultural framework for the grotesques Raphael and his workshop painted in the Stufetta and the Loggetta of Cardinal Bibbiena. These works are examined with regard to the meaning of the “faithfulness” with which they derive from the overall arrangement of the Domus Aurea.
Grotesques and the Antique. Raphael’s Discovery of the Fourth Style
Alessandra Zamperini
2019-01-01
Abstract
The article seeks to profile a cultural framework for the grotesques Raphael and his workshop painted in the Stufetta and the Loggetta of Cardinal Bibbiena. These works are examined with regard to the meaning of the “faithfulness” with which they derive from the overall arrangement of the Domus Aurea.
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