The imagery of the island in Western culture shows a basic duplicity of aspects, corresponding to the duplicity of the concept of seclusion : autonomy and independence, but also (auto-)emprisonment. The examples suggested by article are literary : the island of Monte-Cristo (and, before, his jail at Château d’If), the island of Robinson Crusoe, the islands visited by Ulysses in his Mediterranean itinerary ; these examples outline the start of a definition of the insular pattern in the psychological archetypes of the West, in an imagologic perspective. The most typical expression of that imagery is identified in the founding texts of Stevenson ("Treasure Island"), Barrie ("Peter Pan") et Golding ("Lord of the Flies").

Lieux de liberté, lieux de réclusion: Duplicités de l'image insulaire dans la littérature occidentale

SCOTTI M
2012-01-01

Abstract

The imagery of the island in Western culture shows a basic duplicity of aspects, corresponding to the duplicity of the concept of seclusion : autonomy and independence, but also (auto-)emprisonment. The examples suggested by article are literary : the island of Monte-Cristo (and, before, his jail at Château d’If), the island of Robinson Crusoe, the islands visited by Ulysses in his Mediterranean itinerary ; these examples outline the start of a definition of the insular pattern in the psychological archetypes of the West, in an imagologic perspective. The most typical expression of that imagery is identified in the founding texts of Stevenson ("Treasure Island"), Barrie ("Peter Pan") et Golding ("Lord of the Flies").
2012
Isole nella letteratura, Insularità nella letteratura, Archetipo dell'eroe recluso, Robert Louis Stevenson, James Matthew Barrie, William Golding
L’imaginaire de l’île dans la culture occidentale présente une duplicité fondamentale d’aspects, qui correspondent à la duplicité du concept d’isolement – forme d’autonomie et d’indépendance mais aussi de (auto-)réclusion. Les exemples proposés par cet article sont littéraires : l’île de Monte-Cristo (et, avant, sa prison dans le Château d’If), l’île de Robinson Crusoe, les îles touchées par Ulysse dans son itinéraire méditerranéen ; ils tracent le début d’une définition de la figure insulaire dans les archétypes psychologiques de l’Occident, à travers un parcours imagologique. L’expression la plus typique de cet imaginaire est repérée dans les textes fondateurs de Stevenson ("Treasure Island"), Barrie ("Peter Pan") et Golding ("Lord of the Flies").
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11562/994508
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