Dostoevsky's calligraphy and drawings have recently become an object of study, due to K. Barsht's works, on the one hand, and the Petrozavodsk Textological Group on the other. This paper focuses on the role of calligraphy in Dostoevsky's creative processes commemorated in his notebooks. A calligraphic word truly differs in its qualities from the word that operates in the logical narrative context.

Роль каллиграфической прописи в творческом методе Ф.М. Достоевского

Stefano ALOE
2017-01-01

Abstract

Dostoevsky's calligraphy and drawings have recently become an object of study, due to K. Barsht's works, on the one hand, and the Petrozavodsk Textological Group on the other. This paper focuses on the role of calligraphy in Dostoevsky's creative processes commemorated in his notebooks. A calligraphic word truly differs in its qualities from the word that operates in the logical narrative context.
2017
9785839711143
"Dostoevsky","calligraphy","creative strategies","manuscript","writer’s notebooks","K. Barsht","textology","ekphrasis"
"Dostoevskij","Calligrafia","Disegni creativi"
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11562/972425
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