For the Fathers of the Church there was nothing intrinsically wrong with dancing. Nevertheless, certain forms of choreutic gesture were often used with a negative connotation to highlight religious alterity. The results of this cultural construction can also be identified at a local level in some sources regarding the Iberian Peninsula. In addition to some conciliar norms, the article considers texts by Licinian of Cartagena, Isidore of Seville and Valerio of Bierzo.

Spumansque ore lymphatico bacchabundus. Dancing in the Christian Iberian Peninsula in Late Antiquity

Donatella Tronca
2021-01-01

Abstract

For the Fathers of the Church there was nothing intrinsically wrong with dancing. Nevertheless, certain forms of choreutic gesture were often used with a negative connotation to highlight religious alterity. The results of this cultural construction can also be identified at a local level in some sources regarding the Iberian Peninsula. In addition to some conciliar norms, the article considers texts by Licinian of Cartagena, Isidore of Seville and Valerio of Bierzo.
2021
ballationes; ballematia – ballimatia; dancing; Isidore of Seville; Licinian of Cartagena; Priscillian of Ávila; Valerio of Bierzo
bailar; Isidoro de Sevilla; Liciniano de Cartagena; Prisciliano de Ávila; Valerio del Bierzo
Para los Padres de la Iglesia no había nada de intrínsecamente incorrecto en la danza. Sin embargo, algunas formas de expresión coreutica en un sentido negativo se utilizaron a menudo para marcar una alteridad religiosa. Los resultados de esta construcción cultural pueden identificarse localmente también en algunos testimonios relacionados con la península ibérica. Además de algunas actas de concilios, en el artículo se tienen cuenta los testimonios de Liciniano de Cartagena, Isidoro de Sevilla y, sobre todo, Valerio del Bierzo.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11562/1041044
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